All brand names, amp names, guitar names, etc, that are not Psionic Audio products are of course the rightful property etc of their respective owners. Used humbly with the realization that we live in the real world and people use these products, despite the best efforts of various legal departments.
A lot of different musical styles, a lot of different players, a lot of different amps and guitars.
No Pro Tools tweaking or studio "tricks". Clips were edited solely for length and simplicity. In most, you will hear the sound of the guitar with no Triad engaged so as to have an accurate basis for comparison. Enjoy.
Amp: '65 JMI Vox AC30
Guitar: '53 Telecaster
The mics used were a Shure SM-57 and a CAD e100. The mic preamp was a Neve 1073, and the audio was recorded to ProTools. No processing or effects were used in ProTools.
Amp: '65 JMI Vox AC30
Guitars: '73 Stratocaster and '59 Les Paul
The mics used were a Shure SM-57 and a CAD e100. The mic preamp was a Neve 1073, and the audio was recorded to ProTools. No processing or effects were used in ProTools.
Amp: Psionic Audio modified Vox AC30TBX
Guitar: '70s Stratocaster
Recorded live - the crowd seems to enjoy the sound.
Amp: Line 6 PODxt Pro
Guitar: EJ Stratocaster
This clip was done with the Triad prototype, and the gain pot for the Boost 2 was literally hanging out and making funky little scratchy noises - listen closely.
Amp: Jackson Ampworks Britain
Guitars: '53 Telecaster and '59 Les Paul
The mics used were a Shure SM-57 and a CAD e100. The mic preamp was a Neve 1073, and the audio was recorded to ProTools. No processing or effects were used in ProTools.
Amp: THD Bivalve
Guitar: Rahbek Cos-T
THD Bivalve using a 12AX7, a 5914, and EL84s (with THD Yellowjackets). Time effects added in recording software (Line 6 Toneport UX2)
Amp: THD Flexi 50
Guitar: Anderson DTC
Triad level is 11:00, boost is 10:00 (when it's engaged) and tone (for the boost) is at 2:00. Flexi is volume at 10:00, tone controls all around 12:00, and boost on, maxed with its tone at 1:00.
Amp: THD Flexi 50
Guitar: Rahbek Cos-T
THD Flexi 50 using EL34s. Effects added in recording software (Line 6 Toneport UX2)
Amp: '66 Fender Vibrolux
Guitar: '53 Telecaster
The mics used were a Shure SM-57 and a CAD e100. The mic preamp was a Neve 1073, and the audio was recorded to ProTools. No processing or effects were used in ProTools.
Amp: '66 Fender Vibrolux
Guitars: '73 Stratocaster and '59 Les Paul
The mics used were a Shure SM-57 and a CAD e100. The mic preamp was a Neve 1073, and the audio was recorded to ProTools. No processing or effects were used in ProTools.
Amp: Voodoo Amps V-Plex 25
Guitars: '62 RI Telecaster and EJ Stratocaster
Amp: Voodoo Amps V-Plex 25
Guitar: '59 RI Les Paul